Thursday, 18 August 2011

to sketch (or not)

I love sketching, but I have to get over a wall of inertia ever so high. I don't know what it is. Once I get going, I'm fine, I enjoy it, but I seem to find a lot of excuses: not the right weather, nothing to draw, too many art supplies or not enough. In search for the perfect pen that does all the work... After spending a couple of days at the sea describing in detail to an artist friend all the reasons why I should sketch and all the equally important reasons why I avoid it, I've decided that I should stop being a pain and get on with it. So here it is, today's sketch. A pair of scissors (just about one of the hardest things to draw free-hand). Not just any scissors. These are my grandmother's, with an art nouveau butterfly design. Tomorrow we'll see. There's plenty of horribly difficult things to draw all around us...

Friday, 29 July 2011

Good book bad book

I've always hated the expression 'a good book', as if anyone wanted to relax and enjoy a bad book. Nevertheless, this is a good book. The author takes you on a complete journey of the human nature starting and coming back to maps, and that is pretty clever. He touches on things that I never particularly thought about, like what are the reasons behind collecting, and he quotes authors who've written on the subject. They say that collecting comes from animistic beliefs, it's a way of surrounding yourself with sacred objects that protect you and inspire you. I wonder if this explains why I keep on buying art supplies that I often never use, but revere as if they held the key to my creativity.

My shelves full of art supplies

Now here's a bad book: it is not really a bad book, just sad for me, as I tend to read every book as if it held a piece of a truth higher than mine, as if it was right and I were wrong. It's just the opinions and samples of various artists' sketchbooks and most of the artists seem to see sketches as means to an end. Yet, in my opinion, the means are way more interesting and alive than the ends. Also I seem to be attracted like a magnet to the pencils/charcoal/marker isles of art shops. Those art supplies are my idols, and yet I seem to be told here that they're just ephemeral, that only oil paints or acrylics are the real thing that makes finite, complete artworks. 
It makes me cry on my printer, who (sic) is working hard with me to preserve those marks created using transitorial, short lived instruments of unfinished creations.
 

Friday, 8 July 2011

Leaving the past behind

A little doodle I did on the back of an envelope with a biro and a dried-up marker sparked all sorts of thoughts in me. I wasn't thinking of anything in particular when I was drawing but I was wondering why this guy looked sad, because all of my images are usually jolly. But then, still for no logical reason, I started sketching the house that I see from my kitchen window. And the thought occurred to me that this guy, who is young in age or in spirit, is leaving his childhood home and is not ready to be happy yet. But butterflies are showing him the way and the sun is shining.

Tuesday, 28 June 2011

to rescue a felt tip pen

Landing in Genoa
The pen
It was a daunting trip, going back to that flat, to a piece of distorted history, distorted by distance, time and many inexplicable events. It was difficult from here, so many miles away and with such a wide gap between my me and other people's me, my version and other people's, it was difficult to face such a potential flood of feelings. What would I want to rescue from my past? Nothing really, some memories, perhaps, the essence of me, the thread that we call conscious life, but nothing physical, no weight of objects to pull me down... except for one pen, that I never got to use. I knew it was in the drawer, next to my bed and I wanted it, and I thought of nothing else, for days, for weeks. Now it's here on my desk, in my present life. Here, to share with me some magical moments in the future, create sketches and look forward to harmony and joy.

Thursday, 16 June 2011

cheap but not so nasty

My take on one of Liu Haisu's paintings
Sometimes I like giving myself silly challenges, and experiment with things. So today I did two paintings. The first is a panda that I copied from the great artist Liu Haisu. I used a Chinese brush and... soot. Yes, you heard me right. I put a spoon on top of a candle and... voilĂ  (Don't burn yourselves or singe the brush like I did.) The second is even sillier. It's a flamingo from a photo I took a while ago. And the paint used is... the ink of dried gel pens. Snip the tubes (they do tend to fly and splatter on your walls when you do that), put them in a little jar with a little water, shake, and off you go. 
flamingo painted with gel pens

Thursday, 9 June 2011

High expectations

Being free with Blendypens
My art may look quite diverse, but it all stems from two desires - of living the creative and carefree childhood I never quite had and, on the other hand, the desire that I had so strong as a child, of being skilled at reproducing images that I saw in my head or on art supply boxes. I often get children's art supplies and see how far they can extend into the adult world of expression. I was amused when I read negative reviews of the Blendypens from unhappy mothers who said that their child could not reproduce the pictures on the package. Of course not, those pictures are done by very capable illustrators, not by children. But my frustration as a child turned out to be one of the strongest incentives to my creativity. I love my new invented childhood. You may not be able to change your past, but you can always create images and settings and feelings and stories in your head where you can be any age, any place, doing what you like best.

Thursday, 12 May 2011

Medium format

Last week I went out with a group of photographers shooting medium format. I was kindly lent a Mamyia RZ and fell in love with it. It was my first experience with medium format cameras and looking into that 3d viewfinder was fascinating. Of course, it's not as easy as it seems, the focus and depth of field are not exactly what you see in the viewfinder, but still, with a bit of practice...
Now that I think of it, what is this fascination I have with bicycles lately? I don't even know how to ride one.