From Wikipedia: 'Free Fire is a 2016 British action-comedy film directed by Ben Wheatley, from a screenplay by Wheatley and Amy Jump. It stars Brie Larson, Sharlto Copley, Armie Hammer, Cillian Murphy and Jack Reynor.' It will be released in the UK on 31 March.
Free Fire. That's pretty much it for the plot. So why should anybody want to sit through 90 minutes of gratuitous violence? Because it's very well orchestrated and compelling. The interweaving of the free-jazzy music with whistling and rumbling gun shots, other sound effects, surround-sound voices, is very clever, and so are the lighting, photography, and location (a shabby warehouse). The characters are quirky, each in their own way, and funny, but not excessively so. In a way, it's like watching a cheap Seventies movie with modern definition of image and sound. A treat if you have bouts of nostalgia... But the question arises: whom is this film for? What is the target audience, what will be the effective audience? Not strong enough to be a cult movie, not Hollywood enough to be a Hollywood movie, it will probably linger in a state of DVD limbo.
The following is NOT a spoiler. Talking with the projectionist after the screening, he suggested that if it had a different ending, it could appeal better to a Hollywood, mainstream, audience. As he didn't suggest what ending would have worked better, I went through all the possible endings in my head, that would have made it more commercial, but didn't find any convincing ones.
My verdict: if you want a very pleasant 90 minutes of a well directed and acted mindlessness, if you enjoy well choreographed stunt work and revel in the anxiety of closed spaces, you will love this film. I know I did.
Showing posts with label film review. Show all posts
Showing posts with label film review. Show all posts
Tuesday, 28 March 2017
Monday, 20 March 2017
The Lost City of Z - my take on

I'm no film critic, in fact I have very little knowledge of cinema, and never wrote a film review in my life. At the same time, I am very fortunate to be able to attend film previews, every now and then, so I feel sort of an obligation to share my impressions.
This film is amazing and deserves to be seen on a big screen, so, don't wait for the DVD to come out, like I usually do, go see it big, the bigger the better.
It's 1.40 minutes of total immersion into a world of adventure, discovery, war, deaths, births, love, envy, friendship and poetry, and what makes it extra magical is that it is a true story. Photography and settings are extremely powerful, and convey more than just a sense of history and place, there are human emotions, fear, horror, the unknown and the totally surreal, like an opera performed on a log stage in a settlement in the middle of the jungle.
Fawcett's journeys to charter uncharted territories are followed at a distance by his wife, whose poems accompany him and his companions. But the strongest piece of poetry is her quotation from John Browning: '...A man's reach should exceed his grasp'. In other words, you never entirely fulfil your dreams.
I have recently attended a workshop on mobile journalism where the photographic rule of thirds was, maybe rightly so, strongly advised. So, I took special interest in the framing of the scenes, because in most cases it seems to be crossing over to almost centre frame, leaving space between the character and the edge of frame. I think that conveyed a double effect, exposing the character to the unknown surround him, and crowding the centre of the frame to convey the sense of claustrophobia that the jungle gives together with its sense of vastness. Contrasting elements of old world and new world, 'civilized' austere world and dynamic, fluid and terrifying wilderness, snakes, panthers, piranhas, mosquitoes, but, most of all, humans in their might and vulnerability. The end of the story is almost a spiritual transition. Enjoy, be scared, angry, elated and mesmerised.
And, if you have a spare hour, it's definitely worth watching this talk by David Grann, the author of the book on which the film is based.
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